In the trend-driven universe of electronic dance music, Gregor Tresher is the rare artist who transcends such cycles. His secret? A relentless focus on melody and timbre, timeless musical elements that other producers often undervalue. Just as a painting or a photograph appears to move if one stares at it long enough, close listening to the stratified grooves and melodies in Tresher’s music reveals an organic universe of shifting sound.
“Melody always allows you to bring something new to the music,” opines the producer. “It is where you can create something real and different, whereas the beat… well, either a record grooves or it doesn’t.” Tresher’s approach to writing music eschews obvious eight-bar earworms that soon grow tiresome in favor of musical lines that repeat and intertwine in myriad patterns, unfolding to reveal their secrets as you listen.
Gregor Tresher began his career as a DJ in Frankfurt in the early ’90s; today, he can be found plying that trade at venues around the world, from Berlin to Tokyo, Sydney to Los Angeles. Following two critically-acclaimed albums credited to his Sniper Mode alias, Tresher broke through as a producer under his own name via his 2005 releases Still and Neon, his remix of Sven Väth’s “Komm,” and his contribution to Cocoon’s Compilation F, “Full Range Madness.” His 2008 classic “A Thousand Nights” was the year’s best-selling Techno track on Beatport and introduced Gregor to a larger audience. In addition to releasing tracks on countless other esteemed labels, including Drumcode, Ovum, Intacto, Music Man and Moon Harbour, Gregor Tresher launched his own eclectic imprint, Break New Soil, in 2009. His studio albums include A Thousand Nights (2007), The Life Wire (2009), and Lights From The Inside (2011).